Since the heavy hitters of gaming often require so much time and commitment, I think I’ll conserve most of them until summer vacation. Until then, there are delightfully compact experiences to enjoy on everyday weekends such as this one. This Saturday, for example, was all about jolly good time spent with A Rose in the Twilight. Then again, jolly might not exactly be the best adjective here, considering the game is a gloomy story of a cursed little girl, Rose, who wakes up in a dungeon of a decrepit castle with a white, thorny rose growing from her back. There’s not a living soul in sight and everything looks dreary, so it’s definitely due time to get out. Soon enough, Rose finds out she’s immortal and that her rose is capable of absorbing both color and time from objects nearby. Sadly, most of the color around is nothing but blood, giving Rose a glimpse into the final moments of the deceased as well as her own, forgotten past. What could be considered slight consolation, she at least bumps into a mysterious golem that just might help her find her away outside.
If you wanted the briefest of summaries of A Rose in the Twilight, it would be Japanese Limbo. A fragile little girl paves her physics-based way through forlorn surroundings, brutally dying dozens and dozens of times on the way. Even if the player was skilled enough, by the time new areas of the castle need to be opened, Rose has no choice but to bravely enter an execution chamber to give up one more of her infinite lives to offer blood to the brambles guarding the door to the next area. It’s all extremely harsh, although still skewed more towards desolate sadness than pure sadism.
Thankfully, there’s the golem. The two main characters are swiftly switched between by the press of a button, and unless both are present at the exit gate of any given area, it’s no-go. Not only does the golem have no trouble pushing through thorns that are fatal to Rose, it can also grab, carry, and throw stuff, Rose included. She, on the other hand, excels on absorbing color and momentum from objects and then transferring it somewhere else. The game mechanics are a breeze to pick up, and they serve a lovely round of puzzle-induced platforming. The two often get separated but the eventual reunion is always a jubilant occasion.
A Rose in the Twilight is stylish in a minimalistic fashion. Aside from a bunch of diary entries and a few tutorial messages, there’s hardly anything to read. The golem is mute, of course, but so is Rose. The story is all about hunting down and watching unspoken theatrical cutscenes, and the music is all instrumental, artfully conveying a feel of solitude. The best part is the presence of an actual story. The game can be a bit challenging at times, and by the first time the credits roll it might feel like enough is enough. Choose to push on, though, and it’s so much more worth it.
That’s not to say the game wouldn’t be an occasional, massive arsehole, though. All platformers relying on physics are more or less unpredictable, and by the time you restart a checkpoint for the tenth time to get to the next one while multitasking between two different characters with two different skill sets under an annoying time limit, it’s not necessarily fun. Even if everything else goes peachy, Rose’s (ac)cursed rose is probably in full bloom when it shouldn’t and the other way around. My personal nine-hour journey now feels worth every minute but during it, things weren’t always quite as elated.
The game has some speedrun trophies that can just as well shove it, but the overall experience was decidedly a good one. A Rose in the Twilight might not set the gaming world on fire but as a grim, yet fundamentally beautiful fairytale, it leaves behind an aftertaste most exquisite!