Tag Archives: A Rose in the Twilight

A Girl and Her Golem

I think this is the beginning of a beautiful friendship

Since the heavy hitters of gaming often require so much time and commitment, I think I’ll conserve most of them until summer vacation. Until then, there are delightfully compact experiences to enjoy on everyday weekends such as this one. This Saturday, for example, was all about jolly good time spent with A Rose in the Twilight. Then again, jolly might not exactly be the best adjective here, considering the game is a gloomy story of a cursed little girl, Rose, who wakes up in a dungeon of a decrepit castle with a white, thorny rose growing from her back. There’s not a living soul in sight and everything looks dreary, so it’s definitely due time to get out. Soon enough, Rose finds out she’s immortal and that her rose is capable of absorbing both color and time from objects nearby. Sadly, most of the color around is nothing but blood, giving Rose a glimpse into the final moments of the deceased as well as her own, forgotten past. What could be considered slight consolation, she at least bumps into a mysterious golem that just might help her find her away outside.

If you wanted the briefest of summaries of A Rose in the Twilight, it would be Japanese Limbo. A fragile little girl paves her physics-based way through forlorn surroundings, brutally dying dozens and dozens of times on the way. Even if the player was skilled enough, by the time new areas of the castle need to be opened, Rose has no choice but to bravely enter an execution chamber to give up one more of her infinite lives to offer blood to the brambles guarding the door to the next area. It’s all extremely harsh, although still skewed more towards desolate sadness than pure sadism.

Thankfully, there’s the golem. The two main characters are swiftly switched between by the press of a button, and unless both are present at the exit gate of any given area, it’s no-go. Not only does the golem have no trouble pushing through thorns that are fatal to Rose, it can also grab, carry, and throw stuff, Rose included. She, on the other hand, excels on absorbing color and momentum from objects and then transferring it somewhere else. The game mechanics are a breeze to pick up, and they serve a lovely round of puzzle-induced platforming. The two often get separated but the eventual reunion is always a jubilant occasion.

A Rose in the Twilight is stylish in a minimalistic fashion. Aside from a bunch of diary entries and a few tutorial messages, there’s hardly anything to read. The golem is mute, of course, but so is Rose. The story is all about hunting down and watching unspoken theatrical cutscenes, and the music is all instrumental, artfully conveying a feel of solitude. The best part is the presence of an actual story. The game can be a bit challenging at times, and by the first time the credits roll it might feel like enough is enough. Choose to push on, though, and it’s so much more worth it.

That’s not to say the game wouldn’t be an occasional, massive arsehole, though. All platformers relying on physics are more or less unpredictable, and by the time you restart a checkpoint for the tenth time to get to the next one while multitasking between two different characters with two different skill sets under an annoying time limit, it’s not necessarily fun. Even if everything else goes peachy, Rose’s (ac)cursed rose is probably in full bloom when it shouldn’t and the other way around. My personal nine-hour journey now feels worth every minute but during it, things weren’t always quite as elated.

The game has some speedrun trophies that can just as well shove it, but the overall experience was decidedly a good one. A Rose in the Twilight might not set the gaming world on fire but as a grim, yet fundamentally beautiful fairytale, it leaves behind an aftertaste most exquisite!

The Swinging Sixties

Yes, I am hidden (^^;)

Despite just recently getting out of the 80’s, I’ve somehow found myself back in the past once more. As predicted, Mafia III jumped the line and took me to 1968, the year Lincoln Clay returns home from a four year sortie in Vietnam. He’s keen to start living a normal life and get an honest job but his foster family is having a bit of trouble. Haitian ruffians are hampering their lottery racket and they have fallen badly behind in payments to the town’s most prominent mafia family, the Marcanos. Clay, with his special forces expertise, wastes no time dealing with the Haitians and even a ballsy, most lucrative heist of the Federal Reserve Bank goes without a hitch. The money stolen should be more than enough to appease Sal Marcano, yet the ruthless Don prefers to keep it all to himself and get rid of Clay and his friends for good. Clay is the only one to barely survive the ensuing bloodbath, and after recuperating for a few months, it’s time to strike down upon Marcano and his lackeys with great vengeance and furious anger. No style points for originality but it’s still a decent setup for yet another sandbox.

Mafia III takes place in the fictional city of New Bordeaux on the Gulf Coast of the United States. It’s a nicely varied blend of business, industry, and slum districts. There’s plenty of neon, ramshackled shanties, playful alligators, and 60’s classic rock. Heck, when even the main menu song is Jimi Hendrix’s All Along the Watchtower, you can be certain that the musical aspect of the game, at least, is in good hands. Still, even if the game’s radio stations are full of excellent music and there’s plenty of mighty nice looking screenshots on the internet, New Bordeaux comes off remarkably flat, faded, and muffled. The roads are smooth and wide, there’s a little bit of traffic, and at least a handful of pedestrians who randomly greet Clay or scold him if he bumps into them. Everything you’d expect is present but rather than a bustling metropolis, the city feels more like a subdued ghost town.

As for actual gameplay, Mafia III is equally bland, if perhaps a tad more enjoyable. You go after Marcano by taking over his rackets one by one. By first roughing up informants, you learn what is going down and where. After that, you cause enough economic damage to the racket that its leader has no choice but to come forth. They are then either killed for some quick cash or recruited to Clay’s side for less money but more long-term benefits. For the first seven hours or so nearly all missions have been variations of the theme “go to the given location and deal with everyone there in a way of your choosing.” This is where Mafia III gets unwittingly silly. If you prefer to use firearms, the game regresses into a mundane cover-based shooter. It’s remarkably more fun to sneak from cover to cover and use melee attacks to get rid of the enemies with stealth. They’re dumb as bricks and apparently half blind, too, so every area is essentially just an empowering stealth track where it’s nigh on impossible to screw up. Besides, even if you get discovered, it’s just a matter of whipping out a pistol or a rifle and rain lead on the remaining baddies who either charge you or hide behind cover, waiting for that inevitable headshot. It’s all very unimaginative and unchallenging but, in some perverse fashion, also pretty damn relaxing.

Even if I’ve barely just started the game, it already feels like an antithesis of Mafia II. That one had a great story but was a pointless sandbox whereas this time around the scales tip the other way. Grand Theft Auto this most definitely isn’t but at least it’s awkward in a good, adorable way. It probably was a huge disappointment as a day one AAA behemoth but as a B-class bargain bin find, it’s actually really quite entertaining.

Aw yiss, motha f**kin P5!

As for having to curse like a sailor, there was no need for that, after all. Earlier this week, Atlus’ purportedly stellar Persona 5 finally found itself to my household, accompanied by NIS America’s gloomy puzzle platformer (I guess?) A Rose in the Twilight. While my original plan was to dedicate this four day Easter holiday to the first of those two, I’m making such jolly progress in Mafia III that perhaps a little break from Japanese games is in order. Of course, considering how fast my backlog grows, I’m destined to have projects long into my potential retirement years. Still, can’t really complain; these are exceptionally good times to be a console gamer!